|
SOFTWARE
- ProTools HD/LE
- Digitranslator OMF
- Peak, MetaSynth, Reason, Logic
- Spectrasonics Atmosphere
- Sound Miner
INSTRUMENTS
- Alvarez 4-string Bass
- Ibanez 4-string Bass
- Carlo Robelli 5-string Bass
- Ibanez 5-string Guitar
- Alesis QS8.1 Synthesizer
- Shakuhachi (Japanese Zen monk flute)
- 1968 Spanish nylon acoustic guitar
- Di-Tzu (Chinese Bamboo flute)
- Akai breath controller
- Soprano voice
- Rainstick
PICTURE
- Final Cut Pro HD - DVD Studio Pro
- Da-lite projection screen
- Canopus DVC Pro
SUPPORTING ACTORS
- Neumann TLM 103 mic
- Oktava MK319 mic
- Ampeg Pro3 amplifier
-Mackie 16ch. Mixer
- Line 6 Bass Pod Pro
|
STUDIO ENGINEERING TOOLS
- ProTools HD3 Accel system with G5 Dual 2 -
- 96 I/O 24-bit digital multi-track recording -
- Digidesign Control | 24 mixing console -
- JBL/Genelec 5.1 Surround Monitoring environment -
- Dolby Lt/Rt Surround Encoding -
- Toshiba DLP digital image projection -
- Digital Remote Recording with ProTools LE portable rig -
- ProTools LE system with 2.4Ghz Intel Core 2 Duo -
- Tascam DA-30 DAT recording deck -
- Tascam DA-88 recording deck -
- A legion of TDM, AS, & RTAS Plug-ins -
- Extensive Sound Effects Library -
|
|
Welcome to Dragonfly Sound....
Located in a cozy and private 1920s cottage
in Sherman Oaks, CA, this 5.1 surround
mixing room is ideal for a relaxed and
creative post production design process.
Independent from the big studio system,
the space encourages my sensitivity to the filmmaker's aesthetic, whether it be
dramatic, elegant, minimalist, horrific,
life-like, otherworldly....
Being near the main boulevard of Ventura
makes for convenient meal breaks, with
efficient delivery of quite an int'l cuisine.
The back garden, still under landscaping
development, will provide a relaxing
environment for a brainstorming director,
including dining breaks on the outdoor
patio, a variety of organic teas, a firepit,
and a jacuzzi.
The studio is equipped with state-of-the-art
gear centered around industry standard
Digidesign technology.
The acoustically balanced room was tuned
by world-class acoustician Bob Hodas, for an
efficient transfer to the dub stage for final
theatrical mix.
|
| 
